Here’s a list of my favorites:
I love that the poet Myra Sclarew was drawn to write 100-word stories because by condensing her poems, she can “get to the white heat of experience."
I love how Tsering Wangmo Dhompa uses the word “pulchritude” in “The Self in One Part.”
I love that Patrick Williams wrote a 98-word song to his photo of that crazy blue 70s car—the photo that inspired so many stories in our monthly photo prompt.
I love how Roxanne Barber’s story shows how a scar is not just a scar, but a possible window to salvation in her story "Scarred."
I love how Jim Fisher captures the damnation of “Wrath’s centrifugal force” in "Ezekial"—I feel the world’s righteous churning with such a force.
But thank God there’s some good, hot sex in R. Neal Bonser’s “Seasoning.” Thank God for hot sex.
And even though sex (or love, rather) might be wanting in R-Chi London’s “Good for Business,” there’s something comforting about the self-sufficiency she shows in a romantic woman who sees a different path to fulfillment.
But the thing I most like about 100 Word Story is how it’s opened doors to an artistic community for me, Monsieur Lonely Writer. I’m not only in contact and publishing old writer friends and professors, but I’m encountering so many new wonderful writers and artists, such as Joel Brouwer and Liz Steketee—our featured author and photographer for the next issue. Both of them inspire me so much, and that’s all I want to be, inspired.
I also want to give thanks to the many wonderful submissions we receive. Unfortunately, we can only publish a small percentage of what we receive. As a writer, I learn from each piece I’ve read. It’s a sign to me that none of us go it alone. It’s a sign that what matters is the making, not the getting published.